Before
he started acting, Mark Wahlberg was best known
as Marky
Mark, the pants-dropping rapper who attained
fame and notoriety with his group The Funky Bunch. In
the tradition of Will
Smith and Ice
Cube, Wahlberg has made a successful
transition from music to film, garnering particular
praise for his role in Boogie Nights.
Born June 5, 1971 in Dorchester, Massachusetts,
Wahlberg had a troubled early life. One of nine
children, he dropped out of school at sixteen (he
would later earn his GED) and committed a number of
minor felonies. After working various odd jobs,
Wahlberg briefly joined brother Donnie and his group New
Kids on the Block before forming his own, Marky
Mark and the Funky Bunch. The group had widespread
popularity for a time, most notably with its 1992 hit
single Good Vibrations. However, it was
Wahlberg himself who received the lion's share of
attention, whether it was for the homophobia
controversy that surrounded him for a time, or for the
1992 Calvin Klein ad campaign featuring him wearing
nothing more than his underwear, Kate Moss, and an
attitude.
In 1993, Wahlberg turned his attentions to acting
with a role in The Substitute. The film,
directed by Hal
Hartley favorite Martin
Donovan and co-starring a then-unknown Natasha
Gregson Wagner, was a critical and commercial
failure, but Wahlberg's next project, 1994's Renaissance
Man with Danny
DeVito, gave him the positive notices that
would increase with the release of his next film, The
Basketball Diaries (1995). Although the film
received mixed reviews, many critics praised
Wahlberg's performance as Mickey, Leonardo
DiCaprio's friend and fellow junkie. Following
Diaries, Wahlberg appeared in Fear
(1996) in the role of Reese
Witherspoon's psychotic boyfriend.
It was with the release of Paul
Thomas Anderson's Boogie Nights in 1997
that Wahlberg finally received across- the-board
respect for his commanding yet unassuming performance
as busboy-turned-porn star Eddie Adams/Dirk
Diggler. The film was nominated for three Oscars
and a slew of other awards by associations ranging
from the British Academy to the New York Film Critics
Circle to MTV. The positive attention landed Wahlberg
on a wide range of magazine covers and gave him
greater Hollywood pulling power. He had, as they say,
arrived.
Wahlberg's follow-up to Boogie Nights was
1998's The
Big Hit, an action comedy that, particularly
in the wake of Boogie Night's acclaim, proved
to be a disappointment. This disappointment was hardly
lessened by the relative critical and commercial
shortcomings of Wahlberg's next film, The Corruptor
(1999). An action flick that co-starred Chow
Yun-Fat, The
Corruptor showcased Wahlberg's familiar macho
side and indicated that success in Hollywood is a
strange and unpredictable thing. -- Rebecca Flint, All
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